類似した楽曲: 199
-
SPRT104018 「Evidence」
60 Second version. Majestic, epic trailer cue with sweeping orchestral lines, pounding drums and a futuristic sound.SPRT104018 「Evidence」
60 Second version. Majestic, epic trailer cue with sweeping orchestral lines, pounding drums and a futuristic sound.
HTM044015 「Faith Of Destruction 60」
Driving, mechanised army, war machine, preparing for battle moving into reflective motif.
SPRT111026 「Outcome」
30 Second version. Pounding percussion and aggressive sound design mix to create an ominous and dramatic atmosphere.SPRT104022 「Radar」
60 Second version. Mysterious score with gradually developing tension and occasional powerful impacts.
SPRT095007 「Soldier」
Suspenseful and tension building trailer like cue featuring synths, arpeggios, distorted percussion and drums hits.
SPRT092072 「Zone Alpha」
30 seconds, no choir version. Anticipative and cinematic clock ticking score interrupted by massive hits with an epic, powerful buildup.SPRT111027 「Timeline」
30 Second version. Sci-Fi underscore with a spacey/interplanetary feel and big percussive based build-up.
WIDE00444 「Hidden Threat – sting」
Ominous, looming atmosphere with a threatening percussive buildWIDE00444 「Hidden Threat – sting」
Ominous, looming atmosphere with a threatening percussive build
SPRT103049 「The Call of Victory」
30 Second version. Inspiring and brave with a military sound. Symphonic orchestra and horns.SPRT111029 「Zero」
30 Second version. Super tense score with a sci-fi sound. Great for trailers or games.SPRT092027 「Next Signal」
60 seconds version. Creepy and abstract with a sci-fi feel growing into a massive action lead mayhem.
TV051113 「Arm the Troops」
60 Second, no strings version. Thrilling with a great deal of suspense featuring electronic sonorities with brass and percussion.
SYNC31026 「They Are Coming 60s」
Tension builder classical contemporary classical track with piano, drums, brass and synth, creepy and menacing.
UBMM2295005 「The Great Escape」
Building tension with fast synth sequences and rolling percussion.
