類似した楽曲: 199
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MIM060064 「The Guy in a Hat」
Minimalistic version. An auditory abyss that wraps the listener in an all-encompassing cloak of darkness.MIM060065 「The Guy in a Hat」
60 second version. An auditory abyss that wraps the listener in an all-encompassing cloak of darkness.MIM060066 「The Guy in a Hat」
30 second version. An auditory abyss that wraps the listener in an all-encompassing cloak of darkness.MIM060067 「The Guy in a Hat」
15 second version. An auditory abyss that wraps the listener in an all-encompassing cloak of darkness.MIM060012 「Haunted」
Icy and stark, this composition embodies the paralysis of encountering the unknown.MIM060007 「Get Out」
No Drums version. A sonic portrayal of forsaken places, suffused with a sense of ominous vacancy.Unpredictable shifts of sound that evoke a feeling of imminent danger.MIM060006 「Get Out」
A sonic portrayal of forsaken places, suffused with a sense of ominous vacancy.30 second version. Unpredictable shifts of sound that evoke a feeling of imminent danger.No Drums version. Unpredictable shifts of sound that evoke a feeling of imminent danger.MIM060054 「Desperate Times」
60 second version. Plunges into the depths of darkness with resonances that resonate with dread.MIM060068 「The Guy in a Hat」
10 second version. An auditory abyss that wraps the listener in an all-encompassing cloak of darkness.MIM060008 「Get Out」
60 second version. A sonic portrayal of forsaken places, suffused with a sense of ominous vacancy.MIM060013 「Haunted」
60 second version. Icy and stark, this composition embodies the paralysis of encountering the unknown.MIM060009 「Get Out」
30 second version. A sonic portrayal of forsaken places, suffused with a sense of ominous vacancy.MIM060053 「Desperate Times」
Minimalistic version. Plunges into the depths of darkness with resonances that resonate with dread.MIM060014 「Haunted」
30 second version. Icy and stark, this composition embodies the paralysis of encountering the unknown.60 second version. Unpredictable shifts of sound that evoke a feeling of imminent danger.MIM060052 「Desperate Times」
Plunges into the depths of darkness with resonances that resonate with dread.MIM060041 「A Reckoning」
Minimalistic version. Unleashes a cascade of spine-tingling sensations, like an auditory shiver down the spine.
UBMM2528093 「Deep Learning」
Driving track with piano and electronic bass drum, whose urgent undertone represents the inexorability of technical developments. New ethical and moral questions are raised.
UBMM2514026 「Cold Case」
Unsolved cases do not lose their fascination and explosiveness. Thanks to modern technology, some of them can be uncovered after many decades. Investigative track that leaves a lot of space for the images shown. Focused, clear, calm.MIM060010 「Get Out」
15 second version. A sonic portrayal of forsaken places, suffused with a sense of ominous vacancy.
UBMM2499049 「Epic Views」
The ascent is done, finally the view sweeps endlessly over the majestic valleys and mountains. This rousing track also works in a figurative sense. He opens up musical spaces for emotional human interest stories.
UBMM2504078 「Autumn’s Whispers」
Hesitantly, but with a subtle curiosity. Reverberating synthesizer accents open wide spaces.
UBMM2508028 「Carpe Noctem」
Night falls over town and country. In the distance an owl hoots, no traffic noise covers the sounds of nature, the moon watches over everything.MIM060040 「A Reckoning」
No Drums version. Unleashes a cascade of spine-tingling sensations, like an auditory shiver down the spine.MIM060016 「Haunted」
10 second version. Icy and stark, this composition embodies the paralysis of encountering the unknown.UBMM2504063 「Shades of Dreams」
This slow composition for piano and electronic sound generators sounds serious and thoughtful. The situation is threatening, the net is tightening. Great for crime thrillers of a Scandinavian nature, all sorts of mysteries or for documentaries about criminal activities or catastrophes.
UBMM2495042 「Hour Zero is Upon Us」
Earlier and earlier in the annual cycle, industrialised countries like Germany have used up their annual emissions quota. Electronically smouldering, interspersed with metallic accents.